McNally School
of Fine Arts

Hendra Selamat
Hendra dives deeply into the possibilities of printmaking, namely in image transfers, and now in objecthood. Embedded in his practice are explorations of contingency as they are translated into his contemplation with mediums and material.
He is currently experimenting with the utility of [found] objects for installation works, identifying narratives to communicate notions of time and space, and to identify a queerness that lies in-between; in proximity; in parallel lines that do not meet, but do.